David Chesworth, <em>In the dark wood... At the bottom of the garden</em>, 1996, installation view. Photo courtesy the artist.

David Chesworth

In The Dark Wood... At The Bottom Of The Garden

1996

An early example of contemporary Australian sound art, David Chesworth’s In the dark wood... at the bottom of the garden, was originally commissioned by artist/curator John Meade for Flower Show at the Australian Centre for Contemporary Art, Melbourne in 1996. Within McClelland sculpture park, the work occupies an interstitial space between garden and wilderness. Emanating from eight small speakers embedded in the bushland foliage, Chesworth’s cartoon-like sound effects suggest the presence and activities of tiny, mysterious inhabitants scurrying about in the undergrowth. At once familiar and strange, the work contemplates presences that exist beyond the rational.

McClelland acknowledges the Bunurong / Boon Wurrung people of the South-Eastern Kulin Nation as the Traditional Custodians of the lands and waters on which we are placed.


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